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Just as the name 'Marilyn Manson' is a dichotomy of opposing elements, the term 'Eat Me, Drink Me' is itself a union of opposites in the context of Alice in Wonderland. 'Eat Me', the cake, made Alice grow while 'Drink Me', the bottle, made her shrink. In other words, the album title can dually act as an extension of the black/white, good/evil dichotomy that Manson continually portrays.

'Eat Me, Drink Me' can be seen, to philosophize on a deeper level, as the union of expansion and contraction; dichotomy of opposites, Marilyn and Manson. An alchemical union which Jodorowsky himself will assimilate to the philosopher's stone.

Abruptly in April 2007, following the revelation of the new album title, 'Eat Me, Drink Me', MarilynManson.com changed drastically from its previous "Celebritarian" theme to a new and surreal raw state. A new direction emerged in the events leading up to the album's release; the double cross became less prominent and has since been replaced with a new twisted heart icon (depicted in the album artwork and later revealed as being a new wrist tattoo in homage to Manson's reinvigorated creativity he attributes to Evan Rachel Wood; SPIN magazine June 2007, album liner notes included), and much of the more cryptic elements and imagery that had teased visitors for well over a year seemed to shift towards a more visceral, emotional & subjective examination of perhaps Manson's most difficult year yet. Immediately the conflict emerged in regard to Manson's previous intentions for Celebritarianism and this new example of new life bleeding and entwining itself within his art.

Though this new direction appears at first to be a drastic departure from all that Manson had hinted at cultivating since the Against All Gods tour, many parallels and themes evocative of Celebritarianism have emerged in the album which has become his most personal artistic reflection to date.

Along with the above in which the Celebritarian Double Cross is subtly depicted on the cover of the album, Manson has also continuously worn his Double Cross Celebritarian Corporation ring, extending to even after this seemingly new shift in artistic direction emerged. It's reasonable to believe that Celebritarianism is a concept much larger and wider reaching than can be contained on just one album, as it is of course a theme which has been recurrently and explicitly illustrated by Manson since Holy Wood in 2000. 'Eat Me, Drink Me' instead is an example of Celebritarianism and is fully the powerful and cathartic art which is a personal statement, rather than just talking about doing so.

The very title, 'Eat Me, Drink Me', represents a multidimensional group of themes, all of which are relevant to Celebritarianism. Four of the most prevalent concepts being the morbid and death-centered Christian theology, specifically Christ's sacrificial offering of his body for the world to devour which is present in the synoptic gospels and other writings contained within the Holy Bible; passages of text contained with Lewis Carroll's "Alice in Wonderland" and the infamous quote from which the album derives its name; the famous cannibalistic fantasy which was enacted in Rotenburg Germany by Armin Meiwes and Bernd Jürgen Armando Brandes; and lastly the romantic vampiric connection of "draining the life out of a woman" and Manson's full-on adoption of the role of Nosferatu which his critics have attempted to pigeonhole him into since the beginning.

One of the most prominent themes of the new album's title can be taken from the Eucharist, also known as the time of Thanksgiving, in which Jesus gave his disciples the instruction to eat of his flesh and drink of his blood. This is precisely where the concept of Manson's Celebritarianism originates from; that is, in the view presented by Manson of Christ being the first celebrity and the crucifix being the first piece of merchandise, Celebritarianism is the worship of death and celebrity and is thereby, as the word itself implies, the consuming and devouring of celebrity as taken example from the symbology of the Eucharist.

'Eat Me' ; Manson as the sacrificial body of Christ, the main course of his own Last Supper. Still frame from the 'Disposable Teens' video.

There are several accounts of the Eucharist located within the body of the New Testament, including accounts contained within all of the synoptic gospels (Mark, Luke & Matthew). Below is an account by Mark, of which is also mirrored in the writings of Luke and Matthew:

In Rotenburg, Hessen, Germany, March 2001, two men both in their 40's, Armin Meiwes and Bernd Jürgen Armando Brandes, met together after Brandes had responded to an online post by Armin Meiwes, in which Meiwes wrote, "Looking for a well built 18 to 30 year old to be slaughtered", which he signed as "The Master Butcher".

Brandes and Meiwes met, dismembered Brandes' penis, and consumed it together. It is reported that afterwards Brandes voluntarily consented to his own death, and was killed by Meiwes, who then ate his remains. Originally sentenced to an 8½ year sentence for manslaughter, Meiwes was later charged with murder, and resentenced, this time to life imprisonment.

Directly preceding the album's release followed with numerous connections made to Vampires, including the signature goth anthem, "If I Was Your Vampire", and the song "Putting Holes in Happiness" described as "a romantic-misogynistic-cannibal-gothic-vampire ballad.", one can also examine "Eat Me, Drink Me" from a vampiristic perspective, in which the flesh is punctured and sustenance is drawn from the blood of the host, quite literally the life source of their being.

Subliminal vampiresque night-vision sequences appearing along the video for Putting Holes in Happiness; a subtle way to evoke vampirism without falling into the obviousness of traditional clichés.

Yet another reference to Fritz Lang's M, Peter Lorre and Vampirism at the same time (screen capture from Putting Holes in Happiness). It's noteworthy to mention that the movie was dubbed 'The Black Vampire' in some countries.

Manson has always assumed the role of the Antichrist with many previously allusions, stemming from art, the Bible, and various facets of the occult. Since his beginnings Manson has generally been likened as our modern day Dracula, though often in a manner which wouldn't necessarily be as flattering or efficacious. However with his rebirth, so to speak with Eat Me, Drink Me, it is the first incarnation of his art where he has embraced and personified this role fully in overtly embodying imagery which is intentionally "gothic".

Though one can condemn on a surface level and dismiss this new aesthetic as a new marketing ploy, it is however interesting to note that the name Dracula is derivative from the word meaning 'Dragon' or 'Devil', thus adding a bit more efficacy and making this new personification rather apropos.