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The site was hinted at in the lyrics to Holy Wood in the song The Fall Of Adam in which the term was used which Manson coined. And what brought specific attention towards it was in the liner notes which reads "Celebritarian ™ used by permission". It was later revealed that Manson himself coined and trademarked both the terms 'Celebritarian' and 'Celebritarianism'.

This concept echoed the performance during the prior year in the first half of the Guns, God & Government tour where Manson performed the song Valentine's Day (See Valentine's Day on The NACHTKABARETT) kneeling at an altar which held bald sculptures of his head on either end, whilst hanging from both sides of the stage where tapestry bearing the likenesses of many of the same celebrities who have become as much if not more revered in death than in life. Such it is when in death one can make the headlines of the papers but in life is forgotten, used up and discarded.

Within the opening movie the faces of the dead stars that are seen were also shown on the large screen behind Manson during the live performance of The Death Song on the Ozzfest portion of the Guns, God & Government tour; the likes of which are seen lining this article, taken directly from the Guns, God & Government tour DVD.

Celebritarianism and many of the conceptual elements within Holy Wood were hinted at particularly in the song 'Posthuman' on Manson's previous album, 'Mechanical Animals'. It painted lyrical visuals of the composite reality Manson satirized where violence is the religion of the masses and the patron saints are dead stars. Where dying on camera makes one a star. It's the idea and reality that in death we're remembered much more profoundly than we were in life. And if famous and are killed in the spotlight it acts as a Christ-like immortalization, just as in the case of JFK and John Lennon. This is the meaning behind Celebritarian / Celebritarianism, that our religion is based on death; echoed by the precepts and rituals of Christianity (Manson's number one indictment as the purveyor of this morbid fascination) where we drink the blood in the form of wine and whose body we feed upon in the form of a communion wafer; the devouring of celebrity as set by precedent of the first celebrity, Jesus Christ.

The word itself, Celebritarian and Celebritarianism at base can accurately be defined by the literal play on words, much like vegetarian, the worship and subsequent devouring of celebrities which if anything has exponentially increased in recent years via satellite tv, the internet and the "CELEBREALITY" phenomenon courtesy of VH1.

The left is first image added to the MarilynManson.com sister site TheLambOfGod.com in the Summer of 2000 prior to the release of Holy Wood. It is a depiction of Christ as the Lamb of God, painted by Jan Van Eyck in 1432, standing atop an altar and bleeding from a chest wound into a chalice to be consumed by his disciples during Communion. For complete background information on the site and its purpose, see: The Lamb Of God .com on The NACHTKABARETT, but at base the site was launched as an esoteric gateway, revealing in obscure images the several pillars which Holy Wood embodied. The crux of which centered dually on rebirth / transformation along with death and martyrdom.

The New Testament refers to Christ as The Lamb Of God, the sacrificial offering which God sent down to Earth to take away the sins of the world. It illustrates the most prominent theme within Holy Wood of celebrity and martyrdom, and most specifically celebrity through death and martyrdom as represented through Christ, JFK, John Lennon and many others. This being the theme that Holy Wood consistently revolves around illustrating the morbid fascination inherently felt from our primordial state to mankind today. Hence the lamb bleeding into the grail. To reiterate, the blood of Christ which is drunk and whose body is then eaten as a communion wafer; the devouring of celebrity and in the context of religion demonstrated by the first celebrity, Jesus Christ.

This particular image is a detail of the centerpiece of the painting 'Adoration Of The Lamb' by the 15th century Northern Renaissance painter Jan Van Eyck, which in itself is the lower-center panel of the much larger polyptych, The Ghent Alterpiece. The inscription on the alter reads, ECCE AGNUS DEI, QUI TOLLIT PEC(CA)TA MV(N)DI, or the Latin translation of St. John quoted above.